| Philip LeMarchand's
Lament Configuration. A puzzle of both love and hate; joy and fear;
suffering and pain. This is but one of many configurations.
It is noted that the Lament Configuration inebriates a sense of sorrow.
Perhaps a back story of Philip LeMarchand is necessary. Then again,
perhaps it is not. Look at the box, the configuration, the shapes
and changes. The Leviathan Configuration is perhaps the most compelling
of them all, offering a dark passage to the other side of hell, this side
of heaven. Following is a story that perhaps some will find confusing.
But to those that know of Hell and all of it's fury, you will recognize
many elements in it being taking from LeMarchand's past. This is
a story of configurations...
MP
5-31-1997
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PROLOGUE
Somewhere in the Parisian Countryside, France
March 1802
It is the year 1802. Philip LeMarchand is lost somewhere amongst
the world, possibly still selling his infamous puzzle box. Many suspicions
have fallen on the once proud and heralded architect, who designed many
buildings in quite exquisite detail. But with his disappearance,
the world is baffled. He leaves his estate unsold. The police
find remnants of human bones and fragments of skin and blood. The
designs of the wooden puzzle boxes adorn the main room, where a circular
altar is center stage. Many are puzzled by the almost satanic rituals
hinted at in this room. What was the purpose of the murder and death?
Though many will still not know the answer to LeMarchand's mysteries, a
handful of curious spectators who hunger for sins of flesh will find a
sick paradise within the confines of the box.
A DAY OF BEAUTY
Alice D'Arcy was still in bed, waking to the warm sun that shone through
her bedroom window. She was taken from the arms of sleep, brushed
away from the dreamland that filled her nights and washed away her days.
Though she does not remember the embrace of the dream over her body, she
does feel its lasting effects on her mild skin the next morning.
She knows whether it was a good or a bad dream. Last nights was one
of the sane and luxurious dreams.
Alice was up and about, shaking the sleep from her body. She felt
refreshed and somewhat dulled by the morning light. The window she
peered out of showed a vista of the French countryside she had grownup
staring at every morning. It was ritual that she look out and see
the peasants helplessly wandering about with their business. She
knew of their hardships and labors, but there was nothing she could do
to help ease their suffering. She knew they had suffered for a long
time, since they were born unto a class with no future.
It is sad to note such ironies in life, she thought to herself.
Being born into a class with no hope and only knowing despair and suffering.
She is glad that she was not raised in such a class, for she did not know
what she would do with her life were she poor. She has always had
everything she wanted...except for the puzzle. The grandest of all
the treasures she desired. But her family had warned her that the
puzzle box from Philip LeMarchand was deadly, that it contained pure evil
itself. They had heard stories of the toy maker that would make a
grown man weep in tears of pain, just from the descriptions. But
Alice was not afraid of the dark, sinister plot that LeMarchand might and
might not have. She wanted the box. She did not care for the
stories of missing people and blood pools where the boxes were found.
She prayed to God Himself that she would be entitled to the possession
of such a unique and intriguing box. But it was not God that answered...nor
was it the virgin Mary.
A CHANCE MEETING
Alice was in the downstairs chamber of the castle, looking through the
library for references to the box. There were clippings from other
source books and scrolls that denoted the latest news from the other side
of France. But nothing about the box. There was one scroll
that detailed the ornamental face design of the box. It said that
LeMarchand called it the Lament Configuration. It went on about his
disappearance and the discovery of the Elysium Configuration plans, but
the paper upon which it was written was discarded. She filed away
the thought of the box in her memory and walked up the stairs to the main
foyer, overlooking the first floor.
There came a knock–so gentle was it that she did not at first hear it.
But a knock it was. She called for Felicia to answer the door, summoning
the woman to perform her duties. Alice thought that perhaps she did
not hear the knock, slight as it was. Whatever the case, the door
was answered in due time.
A haggard man appeared at the open door. Alice looked down, a look
of question on her face.
"Might I help you, sir?" Felicia asked the man as gentle as possible, not
knowing who he was. His attire was not entirely forthcoming.
He was dressed in ragged clothes that had no doubt been through a war all
by itself. Though who's war and when, she had no idea.
"My name, madam, is Philip LeMarchand. I am a toy maker..."
Oh my God! Could it be true? Alice was in astonishment.
Could this really be LeMarchand, the toy maker who built that illustrious
puzzle box she had been wanting?
"You are Philip LeMarchand?" She asked with a tone of conviction.
She could not be sure, but it seemed likely. He held a bag in his
right hand, opening it with his left he pulled out a small cube with a
lattice of shiny gold-like metal. It was fashioned into a design,
several actually.
"Madam. I assure you I am LeMarchand. I am here to see if anyone
is interested in buying one of my puzzle boxes. I have several for
sale in different configurations." He held out the box toward Alice.
She looked on in amazement, running down the foyer stairs to meet this
man.
"You do not know how long I have wanted a box like that! You really
are LeMarchand."
"Indeed my lady. I have crafted many such boxes as puzzles for people
to solve. The one I hold is a special one. I call it...the
Tantalus Configuration. It is one of my most magnificent pieces
to date. It currently is the only one in existence. Perhaps
you would like to purchase it?"
"I must! How much?" They hammered out the prices, LeMarchand
selling the box for one-third of his normal price.
"I thank you much for your patronage." With that, LeMarchand disappeared
as quickly as he came.
Alice was holding onto the puzzle box with great enthusiasm. She
would solve the puzzle tonight over dinner. Perhaps she would invite
her friends to come over as well. Alice finally had one of LeMarchand's
puzzle boxes. She was ecstatic..running to her room to solve the
elusive puzzle.
THE OPEN LABYRINTH
The puzzle box was inviting,
cool to the touch. Alice could not wait until night came to solve
the mystery before her. She looked over the box carefully before
proceeding. LeMarchand had called it the Tantalus Configuration.
What could that mean for the design? She disregarded the name and
proceeded finally to move the pieces, spinning a circle here, twisting
a square there. After a moment, the box moved almost by itself.
She set the box down, looking at the design change and transmutate into
something else. It was wooden and did not appear to have any gears.
How could it move with such elegance?
A wind blew softly
at first, then wildly in the room. The walls began to bend and wave,
feeling the power that was invisible to Alice. The walls looked like
they had disappeared, falling away from the floor and revealing a maze
of vast proportion. She was curious and without fear. She walked
into the maze and began to search through the walls. She turned back
to find only another corridor reaching into blackness. Her room was
gone, the familiarity of her existence was gone. She was only in
the maze.
She explored
for almost three hours, finally coming upon the what appeared to be the
center of the great labyrinth. A shape like an elongated diamond
hovered above the labyrinth, sweeping a black light throughout the corridors
and halls and rooms contained in the maze. She saw walls moving with
unseen purpose, recalibrating the maze and reconfiguring it. The
maze looked like a continuously transforming hell.
"...a continuously
transforming hell," she spoke aloud.
"It is the depths
of hell that you reached, my child." A voice from behind her, echoing
in the corridors of the maze. She turned in fright, looking at the
man who stood before her. Perhaps it was not a man at all.
His face was light blue, discoloured no doubt by the darkness. He
wore a leather dress, stitched into his skin by some sort of leather thread.
His head was bald, a grid of lines highlighting his face. Nails that
must have gone through to the bone were sticking out of the intersections
of the grid, protruding at least an inch and a half each. Alice backed
away slowly.
"What kind of
daemon are you?"
"I am known as
the Lord of the Cenobites. My name is unkownst to me. Do not
fear me child. I am here to guide you through the passages of hell.
You are to be reconfigured in the light of the shadows, but first you must
learn of hell and how it affects your soul. Forget your flesh and
come with me." Pinhead reaches out with his hand, but she does not
take it. "Come child, this is what you asked for. Leviathan
has seen to it that you arrive here on your own accord. What did
you think the puzzle box was? You are lucky little one. You
have been chosen to be a protector of hell. Very few have that privilege.
Most are taken by their own desires and lusts. I am the guardian
of the Lament Configuration as well as the Tantalus Configuration.
Come with me child. Come join the few. Let me taste your flesh."
"Taste my flesh?
What kind of animal are you?"
"Rest assured,
I am no animal. I am guardian of this place. Come child.
Let me lead the way. Let me show you the pleasures of being a cenobite.
Let me guide you through your passage, help you release your...inner child."
Pinhead began a subtle laugh, droning on about the joy of hell. "You
see child. You cannot escape the depths of hell. You cannot
go home. You are chosen because of your dedication. Have you
not looked upon the peasants and see only wretched souls lost in thought...mundane
live that is not worth living? I am the way. Je suis morte.
Yet I am alive in every sense of the word. I become death and so
shall you. Join me. What choice do you have?"
Alice ran...she
ran from the daemon. She wanted this to be a dream, waking up any
second now to a cold sweat.
"You cannot run
from me child! The reconfiguration will take place...in the shadows."
A CENOBITE AT LAST
It was hopeless.
She had run for the last ten minutes, losing breath with each movement
now. She was tiring. Her body seemed to quickly dissolve into
a mass of dead weight, faster than normal. Her body was tired, yet
she awoke from slumber not many hours before. Could this be an effect
from being in hell? The daemon who haunts her every step, who is
he? She can hear him walking slowly behind her, always within a short
distance. Yet she was running while he seemed to calmly stride down
the corridors. Perhaps it was from the walls turning in on themselves
as she had seen.
Whatever the
case, she kept running until she came upon a small room. She entered
the cubicle and awed at the sight. A man was in the middle of the
room, chains with hooks deep in his skin were wired to him. The chains
outstretched from the walls, holding him in the center of the room.
His skin was coming loose, his face a palette of only red. Nearby,
a woman was dancing naked before him. She was in shadow, her silhouette
moving every so elegantly.
"Come here, dear.
Show me your flesh. Show me your skin..." The man was whispering
in a low tone, audible only when she moved close.
Alice backed
out of the room. She did not look behind her–captivated by the scene–otherwise
she would have noticed the chamber that seemed to spring from the floor.
The door to the chamber opened, allowing her entrance into the small space.
When she noticed the new addition and enclosure, it was too late.
The chamber doors closed, engulfing her in a green fluid that quickly filled.
She was drenched in the green fluid, yelling sounds that never escaped.
The fluid filled to her neck, then stopped. Small wires protruded
from inside and attached themselves to her face, arms, legs, torso.
They dug in deep, injecting her with a red and blue fluid. Chains
with hooks, the same as those found in the room, clawed at her face, ripping
away the skin. A large metal circle entered her mouth, the metal
splitting into two halves, opening her mouth wider and wider. The
hooks began to peel away the portion of her jaw that contained the mandible.
The flesh was torn apart, the bone cracked, leaving only her upper jaw.
The lower jaw was detached.
Next came her
eyes. Nails were driven through the eyeballs, ripping them away and
replacing them with a glass substitute. She could almost see through
them, but her sight was hampered. Hooks descended from nowhere, tearing
apart the ears and leaving only the inner ear drums intact. Smoothly
proficient and fast, the face mutilated in a matter a three to four minutes.
The arms were infused with poly carbons and leather attire stitched like
sutures to the muscle. Nails and hooks drove themselves into the
bone, screwing tightly together the mix of leather and man and machine.
Alice was now a machination of pain, suffering a torment so horrid as to
make her want to cry. But the machine had taken away her tear ducts.
She was now a cenobite.
She walked out
of the chamber horrified and afraid. She was disgusted by what she
was wearing. A dress that flowed down to the floor, dragging a long
tail like that of a wedding dress. Only this was black and made of
a tough leather hide, sewed to her skin and bones. Alice was no more,
what stood before the chamber and Leviathan was a monster that could not
have what she wanted. She had had everything in life. No she
was wanting everything...like a body that was normal, eyes that could see
clearly, a sense of hearing that did not report back false sounds, a sense
of touch that allowed her to feel the object and texture. She was
robbed of everything and yet everything seemed within her reach.
"Ah, Tantalus.
I see that you have been transformed at last." Pinhead stood, walking
closer to her, reaching for her ornaments and decorations. "You are
very pretty my child. Your beauty in hell will be legendary indeed."
"I cannot see
you...what am I?"
"My child.
You have no idea what you have been blessed with today do you? You
are now a cenobite...a protector of hell. And I am here to teach
you the ways. I am the way. And we eternity to learning to
catch-up on. After all, we do have eternity."
THE END |