Michael Takes Hell,
A Script By Mark Adams.
Introduction:The screen is dark when the Dimension Films logo appears. Gothic music starts playing, Laurie Strode is seen sitting in a dark room.
VOICE: For years Laurie has lived in fear of her brother.
Laurie is holding a puzzle box, she moves it around in her hands.
VOICE: she knows he is coming for her.
Image of Michael walking down a corridor.
VOICE: now there is only one release. A dirty tramp appears on screen.
TRAMP: It opens a gateway, to a place, a place where nothing can reach you and pleasure shall be yours.
LAURIE: Nothing can reach you... The tramp holds out the box and Laurie takes it. Back to her sitting in the darkness.
VOIICE: She solved the puzzle. It opens. And unleashed hell! Chains fly out and tear into Laurie. An image of pinhead flashes up.
PINHEAD: Welcome to hell. The room is suddenly empty.
VOICE: but she can't escape that easily. The image cuts to the MIB holding out the box. The Shape takes it.
VOICE: Michael Myers is ready to track his sister... He opens the box. To hell itself.
Images fly up of Michael surrounded in chains, a Chattering creature and Pinhead. Laurie runs down a corridor.
VOICE: John Carpenter and Clive Barker collide in the battle to end all battles. Image of Pinhead then Michael.
VOICE: Hellraiser and Halloween collide when Michael Takes Hell. The film logo and title appear.
VOICE: Coming soon.
The Script:
The opening shot is of a the nights sky, the camera pans down to an old house in the middle of nowhere. Inside an old man sits at a desk writing. Laid next to him is a Chinese Puzzle Box, The Lament Configuration. The old man finishes writing and seals the letter in an envelope. He scribbles on it the words 'forgive me'. Leaving it on the desk he picks up the Box and wonders into the next room. It is bare except for a circle of candles at the centre. He moves forward into the circle and sits. He looks down at the box and begins to move his hands over the surfaces of it. A clock in the other room shows the time as 10 : 36PM,outside a storm is brewing. Cutting back to the clock it is now 11 : 57PM. In the room the old man is seen still working over the box, his face full of concentration. Suddenly there is a small click and the mans eyes open wide in wonder. The top of the box begins to shift and as the man presses a central circle a section rises up and moves forward. A chime starts to play. The box shifts back and grinds into place, the old man turns it around to the large smooth round shape on the front. Gently he runs his finger around it, as he does so it rises up in a star shape. The old man holds the star and twists it around before pushing it down back into the box. As it slots into place there is a crackle of energy causing him to drop the box. He looks over at it when suddenly four chains fly out of the top and hook into various parts of his face. He cries out in pain as his skin is torn. More hooks appear from the ceiling and lift him up into the air. Three figures are seen appearing in the darkness. A chattering sound is heard as the old man starts to scream.
Someone is seen heading towards the house through a wood. It is Laurie Strode, she is holding an umbrella up as the rain buckets down. As she approaches the house thunder crashes in the air and her umbrella is torn from her hands.
LAURIE: S#'t. She stumbles up to the main door.
Inside the bear room many chains hang from the ceiling, pieces of flesh attached to hooks on the end. Torture pillars rotate slowly and blood drenches the floor. Laurie is then seen heading upstairs to this room. In the room a figure is seen briefly with nails hammered into his skull. Laurie walks along the landing. Hands are seen holding the box. Laurie's grasps the handle. The box is twisted back to its normal shape. Laurie swings the door open into a perfectly bare, normal room.
LAURIE: Hello?
The screen goes blank and the Halloween Theme starts to play but seems to alter and becomes the Hellraiser Theme (and I do NOT mean the stupid heavy metal one from HR3!). The Halloween logo appears at the top of the screen, the Hellraiser at the bottom. A flash of light makes them vanish and the title MICHAEL TAKES HELL appears in blood before being torn apart by hooks. The cast and stuff then comes up.
The film opens on a bright sunny morning, the Mr Sandman song is playing and a caption reads October 31st 1998. A young man, ADAM, is seen walking along a street, he enters a shop and walks past the counter where JULIE is working.
JULIE: Morning Adam.
ADAM: Morning Julie. He walks into the back of the shop and heads upstairs into an obvious living area. He walks into a small lounge where Laurie and KRIS are sitting.
ADAM: Morning.
LAURIE: Adam hi. Take a seat.
ADAM: Sure. He sits.
KRIS: Morning Adam. Adam ignores him.
LAURIE: Adam...
KRIS: It's alright Laurie I understand he doesn't like me. I often face this from people. He doesn't understand.
ADAM: All I understand is your trying to fill the head of my partner with all this perfect pleasure crap.
LAURIE: Adam, there's something you need to know.
ADAM: What is it now? Look, Michael thinks you're dead, your safe, you don't need this guy coming here and trying to reach your inner spirit or whatever. It's bull.
LAURIE: He knows I'm alive. Adam looks shocked.
ADAM: What?
LAURIE: I got a letter, from Tommy Doyle. Jaime's dead.
ADAM: Oh god, Laurie, I'm sorry...
LAURIE: So am I, I should have been there for her.
KRIS: Laurie, it was not your fault, the father had custody. You couldn't do anything about it.
LAURIE: I know.
ADAM: But how did Michael find out about you?
LAURIE: Jaime had a child. She does an small, sad smile.
LAURIE: My grandson. Michael was after him.
ADAM: What happened?
LAURIE: Tommy saved him, took him away and hid. But it turns out Michael wasn't ready to give up so easily. Sam Loomis died of a heart attack and earlier this year his home was broken into. The files on me were stolen.
ADAM: Oh god, Laurie I'm sorry. But you still don't need him, he's filling your head with crap. You need to have a grip on reality.
KRIS: I'm sorry young man but the spirit must be healed if she is to face her brother again. It's been twenty years.
ADAM: Look, your not helping.
LAURIE: Stop it! Stop it, both of you!
ADAM: I'm sorry Laurie. But what are we going to do?
LAURIE: I went to visit Tommy's father, I hoped I could find out where Tommy was, go stay with them.
ADAM: Could he help you?
KRIS: We are afraid not...
ADAM: I wasn't asking you.
LAURIE: Adam, please. She sighs.
LAURIE: He wasn't there, he'd disappeared.
ADAM: Disappeared?
LAURIE: He left a suicide note, he said he couldn't cope with the strain anymore, of what was happening to his son.
KRIS: So, as you can see, she has no where to go now.
ADAM: And tonight's Halloween.
LAURIE: Tonight's Halloween... The room goes silent and there is a fade out.
It is now getting dark, Adam and Julie are in the main shop talking.
ADAM: I don't like it.
JULIE: You don't like it, there's a f~#'ing serial killer on his way here and you 'don't like it'!
ADAM: I mean Laurie, this escape she's got planned.
JULIE: What is it exactly.
ADAM: That Kris character has got her convinced he can give her a place to hide where Michael will never find her. I don't trust him.
JULIE: So, where are they now?
ADAM: He's taken her to collect something, apparently it's important for helping her.
JULIE: Maybe he is trying to help her, maybe he can keep her safe.
ADAM: Yeah, maybe. But I'd rather have her here with me where I can look after her.
JULIE: slyly. Well, it does mean we've been left here. All alone. Adam turns to her and smiles.
ADAM: I guess it does. He holds her. They kiss.
JULIE: Come on, lets go up stairs.
A Black Van is seen driving along the streets. It stops near the shops and Wynn steps out.
WYNN: Laurie.
Laurie and Kris are in an a small shop full of gemstones, old books, incense, that sort of thing. A bearded tramp like man approaches them.
TRAMP: What will be your pleasure?
KRIS: This is Laurie Strode.
TRAMP: Welcome Miss Strode.
LAURIE: I... I was told you can help me.
TRAMP: We help many.
KRIS: The past is hunting her, she needs an escape. She needs to be free of the fear, she needs some happiness back in her life.
TRAMP: Is it pleasure you seek?
LAURIE: I... She looks at Kris who nods.
LAURIE: I guess so.
TRAMP: Good. I have what you have been seeking. He produces the Box.
TRAMP: It opens a gateway, to a place, a place where nothing can reach you and pleasure shall be yours.
LAURIE: Nothing can reach you... The tramp holds out the box and Laurie takes it.
KRIS: Thank you. He gives the Tramp some money.
LAURIE: what, what must I do?
TRAMP: Solve the puzzle, you will be shown the way. The Tramp turns and walks out to the back of the shop. Laurie turns to look at Kris.
KRIS: Come on Laurie, let's go.
Back at Laurie's shop Julie and Adam are upstairs, kissing in a bed, Julie is topless.
JULIE: I never did thank you properly for giving me this job.
ADAM: Well, that's the advantage of being joint manager. She kisses him. There is a thump from outside.
JULIE: Hey, did you just hear something?
ADAM: Didn't hear a thing. He kisses her and there is another thump.
JULIE: Look, Adam, I definitely heard something.
ADAM: Fine, fine. I'll go check it out. He climbs out the bed and goes out into the corridor. He looks around.
JULIE: What is it Adam?
ADAM: There's nothing here. There is another thump from the bottom of the stairs.
JULIE: Then what was that?
ADAM: I'll check it out. He walks down the stairs to find one of the shop shelves broken and tins are sliding off slowly one by one.
ADAM: Oh s'#t. As he picks them up we see a shape looming behind him. The Halloween theme plays and we see it is The Shape. Adam sees a shadow fall over him and he stands and turns.
ADAM: Holy s'#t! The Shape plunges the butcher knife deep into Adams chest and lifts him off the ground. He carries him forward and pins him to the wall. Adam coughs up blood and then hangs to the wall, dead. The Shape turns and heads up stairs. Julie is in the room putting a shirt on. She walks towards the door.
JULIE: Adam? There is no reply. She walks out into the corridor and looks around.
JULIE: Adam, where are you? A door behind her starts to open slowly and The Shape steps out. His foot creaks on the floor boards and Julie turns to see him. She screams as he slashes forward with the knife. She falls back and rolls down the stairs. As she lays dazed at the bottom The Shape strolls down after her. She sees Adam and screams and tries to crawl away but The Shape reaches her. He bends down and grabs her head. With a loud crack he pulls her head back and breaks her neck. He stands and looks to the entrance of the shop where Wynn is standing.
WYNN: Good work Michael. But where is Laurie? The shape looks around. He looks up and then, with some kind of sixth sense looks straight down the street. Wynn follows his gaze to a flat at the far end.
WYNN: Go Michael, take your sister. The Shape heads forward, pushing past Wynn and heading down the street.
Laurie is seen sitting in a dark room, the only light comes from several candles. Kris hands her the box.
LAURIE: Are you sure all this is necessary?
KRIS: Oh yes, very. I must go now. Good luck.
LAURIE: Thank you. Kris turns and leaves the room. Outside he looks back at the doorway and smiles sinisterly. He goes to a window and looks out to see Michael approaching the building. Kris takes a short blade from his belt and goes down stairs.
Back in the room Laurie is working over the puzzle box, her fingers exploring every edge and line. She is seen to be deeply concentrating.
As Michael approaches the building Kris steps out. The Shape stops and tilts his head in puzzlement. He then strolls forward intent on killing whoever it was blocking his path. However Kris dodges Michael's blow and stabs him in the gut. Michael grabs Kris and swings him to the floor. Kris jumps up and punches Michael. Upstairs Laurie watches as the Box begins to reshape, she is solving it! After another struggle Michael manages to stab Kris in the gut. He drops him to the floor and walks in. He hears a flapping noise and turns to see Kris' body has gone. The Shape tilts his head before climbing the stairs.
Laurie is seen pushing the star down and completing the box. All the candles in the room blow out and she is left in darkness.
LAURIE: What the hell? Chains start to drop from the ceiling causing Laurie to yell in fear. A figure appears in the dark before her.
LAURIE: Who the f~#k are you? The figure steps forward, it is the Cenobite made from Elliot Spencer, the one known as Pinhead!
PINHEAD: You summoned us. Laurie just gapes in horror.
Michael approaches the door and grabs the handle and turns. The door will not open. He tries again. He tries to cut it down but to no avail. He starts to anger and beats the door violently.
Inside Laurie is backing away from Pinhead. She bumps into another figure and turns. She screams at what she sees. It is two people dressed as one, a body suit holding them together and there heads entwined. The Twins step forward.
LAURIE: Go away!
PINHEAD: Oh no, we cannot go. You called us and we came. Now you must come with us.
LAURIE: No! No, this can't be happening. She starts crying. Another figure appears.
ANGELIQUE: Please, no tears. We don't want to waste any of the suffering. And then chains fly into Laurie and tear her apart.
Michael bursts in to find an empty room except a few candles and the puzzle box. He walks in and looks around to every corner. He tilts his head in puzzlement once again and then starts swiping at walls and candles in rage. His prey has vanished! Wynn appears behind Michael in the doorway.
WYNN: Michael. The Shape carries on hitting the wall.
WYNN: Michael. The Shape and stops and turns to Wynn.
WYNN: Where is she Michael? Michael lets his dagger fall to the floor. A close up of him shows tears form in his burnt out eyes. He goes up to Wynn and falls into his arms. Wynn looks confused holding Michael and then he sees the Box.
WYNN: Michael, I know where she is. Michael stands tall again and looks at Wynn. Wynn walks past him and lifts up the box.
WYNN: Michael, this box is how she escaped you. Michael is puzzled.
WYNN: It is an instrument of our enemies, it opens a gateway to hell. Laurie has been taken there. But she is not dead, it is not a traditional hell. In this hell you are immortal, you live forever in eternal suffering. You must go there Michael, find her and bring her back here. It is the only way. Wynn offers the Box to Michael. Michael takes it as Wynn leaves the room. Wynn closes the door as the Shape picks up his knife. He looks at the box and begins to run his hands over it.
Outside Wynn is seen getting into the Black Van. He puts on his MIB hat.
WYNN: Good luck Michael. As he drives off Kris appears on the street behind him. Kris is unharmed and standing by him is the Tramp. They look up to the room where Wynn left Michael.
TRAMP: This wasn't planned.
KRIS: No matter, he cannot harm us. They both walk off into the shadows.
Up in the room The Shape has begun to solves the Puzzle Box. The Star rises up and Michael twists it around before lowering it. Energy crackles around it and the Shape drops it to the floor. A blue light shines into the room and smoke pours in. Suddenly a chain shoots down at Michael's chest. As it strikes Michael twists and cuts the chain. Two more fly at him with the same results. The Shape hears a movement and spins to face Angelique.
ANGELIQUE: What is this? The Twins appear beside her. A chattering sound is heard in the darkness and Michael looks around at the figures. He lifts his weapon up. He hears a deep laugh from behind him, he turns and finds himself face to face with Pinhead! They stand perfectly still staring each other in the eyes.
Moments pass, a close up each of there eyes in several times. Pinhead then tips his head in that puzzled way that he does.
PINHEAD: You came... in search of someone. The Shape steps forward, the knife held by his side. He slowly nods his head.
ANGELIQUE: she laughs. To take them back? No one leaves.
PINHEAD: You are now ours. As Laurie is. This seems to strike a cord in Michael who stands straight and raises his weapon. Suddenly two more chains fly from the darkness and pierce The Shapes flesh. In silence Michael twists around and cuts both of them. The chains clatter to the floor. Angelique screws up her face in anger and leaps on Michael's back and stabs him in the chest. The Shape ignores the blow and grabs her and swings her over him. As she hits the floor he stabs her in the chest. She looks up shocked.
ANGELIQUE: How... Blue liquid oozes from the wound and she stumbles backwards. The Twins stand by Pinhead who looks at Michael is bewilderment.
PINHEAD: What are you? Michael turns to the corridor to his right. Glancing at Pinhead he wanders off into the labyrinth of hell.
ANGELIQUE: You... will let him go...?
PINHEAD: For now. He cannot escape are domain and I sense he is more than a simple mortal. I wish to see how he survives. Angelique leans against The Twins and hobbles out. Pinhead moves backwards and vanishes into shadows.
Laurie is seen opening her eyes. She groans slightly and tries to sit up. She can't. The camera pans out to show she is pinned by nails to the floor of a vast chamber. The pains hits her and she screams. Blood drips down on her and she is scarred across her body. She looks down to her hand to see it has been removed!
LAURIE: Oh god...
VOICE: Awake. The voice is totally inhuman and rasping. Laurie looks around the room for the source.
LAURIE: Wh.. where are you? What is this? Suddenly the huge form of the Engineer swings down from the ceiling and hangs above her causing Laurie to scream.
ENGINEER: The torture can begin again. The shot shifts and Laurie's hand is seen reconnecting to her body!
ENGINEER: We begin now. It holds up several sharp instruments in its scrawny arms and roars in pleasure.
LAURIE: God, this is a nightmare, this can't be real...
ENGINEER: No nightmare. Reality, real pain, real suffering. Real pleasure.
LAURIE: Am I... dead?
ENGINEER: Is it dead? No, it isn't, it never will be. It will live forever and play the games forever. Laurie's screams as the creature lunges forward.
Hells Corridors: Michael is walking slowly along them, deep groans echo along the walls, blood drips from the sides and cries of pain are heard. The Shape ignores all these as he searches for his sister. He comes to a metal doorway held shut by a bolt. He grasps it and slides it across and steps in.
Michael finds himself standing in a meadow on a sunny day. He looks around confused and sees a scarecrow near bye surrounded by crows which are pecking at it. He wanders towards it, scattering the birds. We then realise that the 'scarecrow' is actually a person! There rib cage is visible as the birds have eaten much of the flesh and he is in tears.
MAN: Oh no, please no more. Michael stares at him. Suddenly the birds swarm down on him attempting to tear the mask from his face. Michael swipes at them and cuts many down, the rest fly off.
MAN: You are not a Cenobite! You are here to help me, yes?! Michael looks at him. He hears a squawk and turns to see the 'dead' birds fly off. He tilts his head in puzzlement.
MAN: They can't die! You see, we are in hell, no one dies here. You come here you live forever but in eternal suffering. You must help me! Michael seems to consider this. He looks at the man and raises his knifes and approaches him.
MAN: Yes, cut the ropes, the ropes. Michael stabs the blade through the guys neck and twists and decapitates him. The head falls and bounces at the ground. A close up of Michael's widened eye as the body struggles around and the head screams in pain! Michael turns and walks back out into the corridor and heads on.
The scene changes to a dark room, hooks hang down from the ceiling on chains. Pinhead is seen wandering forward through the room. He stands before a large wall, it cracks and begins to grind open. The gap shows a view out over a vast labrynth and In the distance, slowly turning is the massive form of Leviathan. A tentacle flys up out of the depth of hell and attatchs itself to pinhead's skull. A deep booming voice is heard.
LEVIATHAN: Requirement?
PINHEAD: Lord Leviathan. A new being has entered hell. It fails o feel the pain, it shows no fear. What is it?
LEVIATHAN: I know of it. It is a servant of an enemy. The Cult of Thorn, which worships the Hell of Chaos has sent it here to find it's sibling.
PINHEAD: Who is the sibling?
LEVIATHAN: The being known as Laurie Strode. The Thorn flesh cannot be aloud success. Find it and destroy it. The tentacle rips itself from his head and Pinhead cries out in pain. He then turns to The Twins.
PINHEAD: Find and destroy the flesh. The Twins turn and leave.
Michael is seen leaving a room, the camera pans around to show two butchered bodies in it. He has still failed to find his sister. Suddenly he hears a scream. A flashback to Laurie screaming in Halloween appears. Michael hears the sound and marches off to the source. He comes to a wooden door and starts to smash through it. Eventually it shatters and he walks into a torture chamber. Laurie is seen being pulled up through a hole in the ceiling. Michael dashes forward but is too late. He looks up to see the Engineer heading straight towards him! It whacks into him and he falls back.
ENGINEER: New flesh. Michael grabs it by the head and pulls it down into the room, it hits the floor and he jumps up and climbs through the hole. He is in another corridor, he looks left then right. To the right, a figure is seen running in the distance. A close up shows it is Laurie. Michael sees this and begins to run after her. The Engineer pulls itself up behind him and begins wall-running after Michael. 'Seduction and Pursuit' music plays as the Engineer chases Michael and when the camera switches to Michael chasing Laurie the Halloween stalking theme plays. This happens quite a few times as the chase continues. Suddenly Michael stops and turns. The Engineer crashes into him and bites deep into his leg. Michael stabs it in the chest and pulls the blade upwards splitting the beast in two. It screams in agony and falls from the wall. It drags itself back screeching in pain. Michael turns and walks off after Laurie who is no longer visable.
The Twins are seen walking forward along one of Hell's corridors. Suddenly a door burst open and the man from earlier (scarecrow) stumbles out, his head reattached.
MAN: Thank god... He then sees the Twins looming over him.
MAN: No... oh no... The Twins grab him by the throat and slam him against the wall. He gurgles as he is choked and the 'sad' Twin leans in close to his face, breathing on him. The man cries out in fear. The other Twin stares out down the corridor. Suddenly two chains fly out of the darkness and hook each arm of the man.
MAN: No, please no! More chains fly at him and begin to twist his body. As arms are bent and flesh looped he is slowly knotted! Eventually he is impaled by chains and tied in a twisted knot. With a satisfied moan The Twins move on.
Laurie rushes out onto a large ledge. She stops and looks up.
LAURIE: Oh my god... she looks up at the huge form of Leviathan, like channard does in Hellbound. A black of beam of light shoots out and strikes her. Image sof her as a kid, Michael playing with her, her sister Judith, her parents burning and then clips from Halloween 1 and 2. The black light vanishes and Laurie collapses to her knee's gasping. A voice is heard from behind her.
VOICE: Laurie. She turns to see Pinhead blocking her only escape.
LAURIE: get the f~#k away from me!
PINHEAD: Oh no Laurie, oh no. We need you.
LAURIE: W...Why?
PINHEAD: For bait. Suddenly too hooks fly down and pin Laurie to the ground as she screams.
Michael hears the scream and moves faster. The he see's something blocking his path, it is the Twins. In each hand they hold a double bladed dagger. They hiss a challenge top him, The Shape steps forward brandishing his knife, ready to fight to get to his sister. The Twins swipe at him, one cuts Michael's arm. Michael lunges out slashing them but the wound seals itself together. Mchael looks back, in the distance the form of the Engineer is visable. There is no way past the Twins. Michael hesitates then slashes the Twins. He looks in tilts his head in interest as the wound heals. The twins step forward. Suddenly Michael lunges forward and hacks the blade down the middle, nearly splitting them. He dives forward into the gap as it begins to seal around him. He keeps slashing at the flesh and the Twins moan in agony as Michael literarly goes through them! He eventually borrows through and The twins collapse on the floor, slowly beginning to get back together. Michael heads on.
Michael comes out on the ledge and face Laurie.
LAURIE: Michael... Michael raises the knife and steps forward.
LAURIE: Michael wait. He stops.
LAURIE: Michael, these creatures can hurt you can't they. Perhaps kill you. We should work together, escape together. Michael ssems to consider this. Then he shakes his head and stalk forward. Laurie rips her hands up off the floor and strikes Michael with the hooks. He stumbles back and looks at her. At the edge of the ledge a large wooden box rises up. Laurie attacks Michael again but misses he lifts the dagger and stabs it into her gut. She squeals and looks up in surprise.
LAURIE: Michael... he pulls out the knife and she stumbles back. He advances on her and she backs away near to the large 'coffin-like' box. Suddenly it opens up and tentacles fly out and drag her into it. She screams as it begins to close and decend back into the depths of the labrynth. Michael reaches out his hand to her, she reaches for him. He grasps it and pulls.
LAURIE: God...Michael... He loses his grip and she is pulled down. He stands up shocked, his sister has gone again.
PINHEAD: Agony isn't it? Michael turns to face the Dark pope of Hell who has walked out onto the ledge.
PINHEAD: Family is so important isn't it? A close up of Michael's eyes shows the hatred he is suddenly filled with. He lunges forward but Pinhead blocks the blow and lifts his dagger. The two forces of evil lock into deadly combat, one gaining the upper hand and then the other. The fight is brutal, blows on Michael send his blood over the floor, blue liquid oozes from Pinhead's wounds. Michael catches Pinhead in the gut but still the dark lord carries on. After time Pinhead suddenly slashes up and tears Michael's mask. Before he can strike again Michael lunges forward and knocks pinhead back. Pinhead hits the floor, his head smashing against the ground, forcing the back nails further in. He cries out.
PINHEAD: You cannot destroy me, I am forever. A black ray of light shoots from leviathan and strikes Michael. Various images fly up. Him playing with a young Laurie. Him killing Judith. Wynn giving him a lolly pop. The Thorn symbol being tattooed onto him. Various killings. The images of his parents smiling. Him smiling at baby Laurie. Him opening a christmas present and smiling. Michael staggers under the onslaught of the various images and Pinhead takes the chance to surrge forward intent on finishing it. At the last moment Michael steps aside and grabs Pinhead by the throat. As he sees the Christmas image again he makes the first noise he uttered in years, he screams out in anger and pain. He stbas Pinhead repeatbale and then shoves him forward to the edge of the ledge.
PINHEAD: No! He stumbles and goes over, falling, screaming into the depths of the labrynth. Michael collapses to his knee's and holds his head in his hands. Behind him we see the wooden lift rising back up. The door grates open and a figure steps out. We here a deep voice, similar to Laurie's.
VOICE2: Michael. Michael lifts his head. He turns to see the figure, it IS laurie! Except now she has pale blue skin and is dressed in laether that is sewn to her skin! Hooks pierce her revealed nipples and lead up to her wrists, her eyes are jet black and stab wound is now a huge hole in her gut held open by hooks. Laurie Strode is a Cenobite. Michael stands and faces her.
LAURIE: You wanted me Michael. Now you can take me. He charges forward swiping with her claw like nails, slashing Michael's chest. He stabs at her but she dodges his blows. Michael keeps on trying to slash his sister but he cannot hit her, he claws are cutting him up. Suddenly she reaches around his neck and wraps a chain around his throat. She squeezes and his knife is dropped, it hits the floor and bounces into the pit below. She reaches up and peels the mask away revealing, for the first time, a clear image of Michael's burnt and scarred face. He stares back at her.
LAURIE: The rage is going to go Michael. The suffering will blot it out. She tightens her grip and he gasps, for a moment suddenly he is but a helpless man in the face of evil. But only a moment, he knows his duty, Michael grabs the chains and rips them from her breasts, tearing the flesh. Laurie screams. A slow motion battle occurs, Michael is knocked down by his mask which he pulls on. He gets up and faces Laurie.
LAURIE: I have such sites to show you my brother. He surges forward,
lifting her off the ground and carrying her into the wooden chamber. The
creatures spring to action and puncture there bodies all over, they both cry out
in pain. The blue goo is drained from Laurie and it oozes into Michael. As the
door shuts michael forces Lauries head into the gap.
LAURIE: No! She
screams as her head is crushed, the lift moves down, the creatures within it
tearing into Michael. Up above Leviathan hovers over the labrynth, a black beam
of light shines at the screen and it goes dark.
THE END.