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The Midnight Meat Train Review from FrightFest Screening
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NEWS UPDATE:
Midnight Meat Train Review.
If you're a fan of horror films then it is very likely you've followed the progress of Midnight Meat Train, the first of Clive Barker's new series of films based off his Books of Blood, a collection of macabre, disturbing and downright bizarre short stories. A change in producers at production company, Lionsgate saw the film pulled from being a major release and put into only a hundred dollar-theatres across America. This was a major blow to horror fans fed up with constant remakes and the endless gorenography films, especially to foreign fans who worried the film would never make it to cinemas at all. Well, there may be a light at the end of a tunnel, and it's not a train. The Midnight Meat Train got a special screening at the London horror film festival, FrightFest on August 23rd where it was announced the film was getting a lot of support from foreign distributors, so there's still hope for British horror fans to see it on the big screen, where it belongs.
The question now becomes, is it worth it? This reviewer would, without a doubt, say the answer is yes. The story sees photographer Leon Kauffman (Bradley Cooper, Alias) attempting to capture the dark underside of the city, encouraged by Gallery owner Susan Hoff (Brooke Shields, That 70's Show). However, he soon crosses paths with a mysterious butcher, Mahogany (Vinnie Jones, X-Men: The Last Stand), who stalks the subways late at night, slaughtering those unfortunately enough to ride the wrong train. Leon becomes increasingly obsessed with uncovering the mystery behind the killer, his relationship with his girlfriend, Maya (Leslie Bibb, Iron Man), suffering as he becomes involved deeper and deeper in a grotesque conspiracy.
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As with Barker's short story, the film manages to balance well-written character, grotesque violence and intriguing ideas. This is no film for the squeamish, from the very beginning blood flows freely and copiously. Gorehounds have a lot to get their teeth into, although there are a few moments of CG blood-letting that are perhaps a little too over the top and not entirely realistic. Watched with the FrightFest crowd, however, even these moments were met with cheers of delight and it's not difficult to see why. As a face explodes outwards in slow motion, blood showing down, the sheer indulgence of the event is clear, and is bound to warm the heart of any dedicated horror fan.
This is not to say the film is shallow, quite the opposite. As the title suggests, meat plays a vital role in the story, and there's a strong thematic thread throughout the movie. The major locations of the film are tied together, a meat packing planet, the subway train, a diner, by the cooked or prepared flesh on offer. Leon, a dedicated vegetarian, does not come out unscathed, as if the mere presence of so much meat if brining out a bestial side, perhaps most notable in a sex scene that starts romantically but suddenly descends into a darker, more violent sequence.
Midnight Meat Train is the Hollywood debut of Japanese director Ryuhei Kitamura (Versus, Azumi) and he doesn't disappoint, grabbing the opportunity to create a unique visual style for the film. He perhaps seems an unusual choice for such a straight horror film, but it's a gamble that rewards the viewer with a highly kinetic and stylish experience. A climatic fight on a moving subway train sees the camera swing all the way round the car, in and out of the windows, as the combatants appear to destroy it around them. His eye for detail, and creative use of the camera makes even the slower scenes have an interesting visual quality but in the violent and horrific sequences, Kitamura excels.
Although I won't spoil the ending here, I will say it's simultaneously faithful to the short story but also very much scaled down. It's perhaps a shame they weren't a little braver in presenting some of the big ideas Barker had originally written, and if a little more time had been spent on the revelations, it may have felt a little less abrupt. The balance is important though, and the film tells its story in a way that shouldn't confuse new viewers or threaten a mainstream audience unused to the surreal horror Barker often revels in.
The Midnight Meat Train is an excellent modern horror film, with a exotic mixture of violence, scares, interesting characters and a fascinating storyline. Whilst at times the use of CGI or the rushed explanations threaten to remove some of the horror, the film retains its hold on the viewer with stylish cinematography and intelligently explored themes. This is one train any horror fan ought to catch.
For information on FrightFest visit Film4 FrightFest.
Review by Scarecrow.
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Hellraiser Screenings Guide
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The Hellbound Web aims to bring you a definitive guide to
upcoming showings of Hellraiser, whether on TV, at conventions
or in a cinema. If you have any information of upcoming screenings
please send them to the usual address.
ZONE HORROR
Zone Horror is a channel dedicated to horror films and television
shows in the UK. It can be found on SKY channel 321. The official
site for the channel can be found here.
# There are currently no known screenings.
If you have any information on upcoming screenings of any Hellraiser, Clive Barker or other related film then contact The Hellbound Web at the address at the bottom of the page.
- Scarecrow
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Creative Control:
Hellraiser Fan Films Revealed
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The Fanfilm page of this site (under construction) can be found here. Details and links for completed fanfilms can be found on this page whislt this article will list ones currently in any stage of production.
Fanfilms are far from a new idea, Star Wars fanfilms have
been around for years, some of them gaining a cult status
all of there own. However, horror is only now seemingly catching
on and finally the craze has spread to Hellraiser. Following
the previous report on "A Question of Faith", the fanfilm
crossover "Hellraiser: Prophecy" has premiered. Putting aside
Hellraiser make-up artist Gary J. Tunnicliffe's "No More Souls"
there are at least another two that are currently in development
and others still in the planning stages. What follows is a
brief round up of the current projects and where to find more
details on either the films or those involved.
UPDATED: 18th June 2007
1. THE HELLRAISER CHRONICLES: LIFEBRINGER
An original Hellraiser story that will come under the umbrella title of "The Hellraiser Chronicles", "Lifebringer" is the first Hellbound Web collaborative film. Scarecrow (that would be me) has written the script and will be directing whilst further forum members Eggshen, frosty, Pyramid Gallery and curlycub wil be providing music, masks and effects, props and acting skills.
Aside form the forum members the film crew include Huwi Frazer as the Director of Photography, Amy Cummins on Sound, as well as producing and appearing in the film, and Christine Harrison providing some excellent make-up effects.
Filming began on June 6th 2006 and was completed later in July. A basic cut has been edited together and post-production is now concentrating on special effects and sound design.
More details can be found on the forum in this thread, including an image of the Cenobite that will feature.
2. HELLRAISER: DEADER - WINTER'S LAMENT
Jonnhyq, the writer, director and producer of Hellraiser: Prophecy, is following up his successful fanfilm with a prequel to "Hellraiser: Deader", the sixth sequel in the main series. This time he'll be using professional actors and equipment to build on the skills and techniques he learnt on his first project.
Jonnyq's site gives the following details on the story of the film:
"In 2005, a mysterious cult leader known only as
Winter died in an attempt to summon and control
the Cenobites with the assistance
of his resurrected followers, the Deaders.
Now, his identity and his history will be revealed
in the upcoming HELLRAISER: DEADER
fan film WINTER'S LAMENT."
Filming is due to begin in February 2008 and casting and auditions are currently under-way. To see how you could help support the film and gain a credit on the finished work visit this page.
More details can be found on the forum in this thread.
Winter's Lament's official webpage can be found here.
3. UNTITLED
This film is currently on hold with the possibility of being cancelled for good. The Hellbound Web will keep up to date on the situation.
Forum member Lament has informed us that his company kre8-fx will be following up their Alien/Predator fanfilm S.E.E.D. with a Hellraiser entry. Though there are no details as yet Lament tells us that Pinhead will appear on screen though he will have no dialogue due to the difficulty in matching up to Doug Bradley.
Below is an image of the Pinhead costume being used in the film:
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More images can be found on this thread.
4. HELLOWEEN
A Pinhead vs Michael Myers fanfilm still in the early stages of development. Being put together by forum member HelloweenFan, there isn't too much news on this at the moment. The main thread for the film can be found here.
Thanks to Fart_Lighter, jonnyq & Lament.
Article compiled by Scarecrow.
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18th Century Horror ~ Lost Bloodline Footage Uncovered
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Late in 2006 The Hellbound Web Forum member davidtoy made an amazing discovery, an alternative cut of Hellraiser: Bloodline containing a large number of deleted and alternative scenes that were removed by the studio and director Joe Chappell. The cut is not the original version as filmed by Kevin Yagher but the first attempt at re-editing the film to bring Pinhead in sooner.
davidtoy:
"I was in contact with a person who was a friend of a friend of Peter Atkin's when he lived in LA in the late 90's. Atkin's showed them Yahger's rough cut of the film on a video tape he had, and I've been trying to find a way to get a copy of that for a while now."
The original version of Bloodline ran for almost two hours and was an anthology film set in the past, present and future. Pinhead did not appear until about forty minutes in leading to the studio panicing and requesting the film to be re-cut in order to bring him in sooner. After failing to please the studio Yagher left the project and Joe Chappell took over, this being his first alternative cut. Still failing to please everyone, he did further cuts resulting in the final released film that lacks over half an hour of material, if not more.
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davidtoy:
"The film looks rough and isn't color timed, has no music, and most of the places where effects would be have cards that say 'Insert shot of body here' and stuff like that. The cut I just watched has 'Directed by Kevin Yagher' at the front, but it starts with the dinner scene as the peasant girl is killed to call Angelique. From that scene it cuts to present day with Merchant waking up screaming. He later has a dream where he sees Angelique kill De L'Isle as Lemarchand looks on. De L'Isle wanted to kill Lemarchand because the puzzle was going to replace his magic with science. Angelique then kills De L'Isle because he was going to stand in Hell's way and she saves Lemarchand. John Merchant also has a flashback of his Grandma telling him he is the one they've been waiting for."
"The ending on the Minos is changed quite a bit and I’d say that part is better. You can see that Ramsay was trying to make his performance match Doug's and it has a scene where Paul wakes from a dream of Pinhead and he shaves his head. There are other pieces added in here and there that would have helped the film a bit. One other thing, Valentina Vargas had her voice totally redubbed for the theatrical cut. She sounds much sexier with an accent and Doug Bradley's voice is unaltered by movie magic.
Though still not a complete film, this cut gives fans access to material thought lost forever and, when combined with material in the theatrical version, could potentially present the majority of material shot. THW is embarking on a project to edit as much of the two versions together in order to get as close as possible to Yagher's orginal vision. The script for the complete Yagher-version of Bloodline can be found in the library.
For more information visit the Bloodline Thread on the forum.
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Clive Barker's Book of Blood: FrightFest Preview
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"Clive Barker's The Book of Blood" is the latest adaptation
of one of Clive Barker's short story collections "The Books
of Blood". In this case, it's the wrap-around stories "The Book
of Blood" and "On Jeruselum Street", the former appearing at
the start of volume one and the forumer at the end of volume
six.
London's FrightFest had a special treat for fans after the screening of Midnight Meat Train on August 23rd. The first ten minutes of Book of Blood, the next Barker film was shown. The following report details what was seen. We were not sure of the name of the man who takes McNeal but have used the name of the character from the book in order to make it easier to read. Enjoy.
"Book of Blood" opens in a small café where we see McNeal sat in a corner eating. He's wearing a hooded top but we realise his skin is all horribly scarred. He's watched by Wyburd who talks on his phone to an unknown person, asking if they're sure they want this. As McNeal gets up Wyburd states "your skin is leaving". As McNeal pays, he stumbles in pain and Wyburd helps him and takes him out to his car, offering him help. McNeal falls asleep and Wyburd drives them to an isolated, abandoned house.
McNeal wakes up, strapped to a table, wanting to know what's going on. Wyburd says he's working for a Collector of "the latest thing" which is McNeal's skin. McNeal pleads with him but Wyburd says its nothing personal, and hat he'll get a bonus if the skin is in one piece. As he rips open McNeal's clothes he notes "you're a book of blood... read it to me". McNeal asks why and Wyburd points out he can make his death quick and painless or drawn out. McNeal agrees to tell his story.
We cut to Tollington Place where two parents are desperately trying to break into their daughters room as she screams from within. Inside she's thrown screaming into the air by unknown forces, and beaten and hit. She's thrown on the ceiling and then down onto the bed. Led on her front, she's held down and we see her knickers start to get pulled down and she screams louder, with a possible implied supernatural rape.
As the fire brigade arrive and start breaking down the door we see her face grabbed and the skin start to tear. The fire brigade knock the door down and run in,. The girl is led on the bed, her face completely ripped away, and skinless. The parents cry out and we see the words "Don't Mock Us" scratched on a wardrobe door in blood.
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The film is being produced on the Midnight Picture Show label along with the UK-based film company Matador Pictures. The script has been written by John Harrison (TV's Dune) and Darin Silverman and Harrison will also be directing. Principal photography will begin December 6th and continue through to February next year.
Barker's Official Website Revelations now hosts an online Journal with the films producer Joe Daley which can be found here. This should continue to be updated and looks set to be a great source of information on the films production.
Doug Bradley issued the following statement on his official website detailing his involvement with the new film:
"And it starts shooting - in Edinburgh, rather than Glasgow - next week and I'm going to be in it. I had chatted with director and co-writer John Harrison in September when he was over here and he'd mentioned the possibility. I had, in truth, forgotten all about it, so it was a pleasant surprise when they came back to me with an offer for a cameo role which I've happily accepted. The script is in the first instance a conflation of the two parts of The Book Of Blood which bookend the entire Books Of Blood cycle (The Book Of Blood and The Book Of Blood (postscript); On Jerusalem Street) which has then been cleverly teased out to paint a bigger picture for a full-length screenplay.
It's set in the present day, but I play a character called Tollington who has been dead for pretty much a century. He was an occultist who occupied the house in Tollington Place (mentioned in Clive's original story). It's a brief but memorable appearance and I'm looking forward to it. I was up there yesterday for a photo shoot (for portrait and newspaper article which appear elsewhere in the movie and in discussion with the make-up department, agreed that my current cut does not sell the period and so we agreed to shave my head completely. It works too, because any similarities between Tollington and a certain Aleister Crowley would not be at all inappropriate,,,
Hence the chilly bonce. I know there wasn't much insulation left, bit dunn'alf make a difference!"
Further details will be posted as and when they are announced.
Article compiled by Scarecrow.
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Clive Barker's The Films of Blood: Several more films planned!
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Hot on the entrails of "Midnight Meat Train" and "Book of Blood", the past few months have seen a lot of news surfacing on numerous other films based on "The Books of Blood" short stories collection. The complete list, at present, stands as "Pig's Blood Blues", "Dread", Down, Satan" and "The Madonna".
DREAD
At FrightFest it was confirmed that "Dread" would be the next Books of Blood short story to go into production. Barker's official website Revelations reports that "plans are now in hand for Seraphim's Anthony DiBlasi to shoot his own script for Dread in Scotland in 2008". Barker had this to say: "I think Anthony's going to start shooting Dread in Scotland in June... Dread will be modest, it won't be a huge movie, it’s essentially a haunted house story... It doesn’t have a lot of prosthetics and so on, it’s very realistic, it's not fantastical and he's written an amazing script... so that will be the second of the movies we're making from the books".
PIG'S BLOOD BLUES
Very little is known about this film currently, although it has been mentioned several times by Barker as one of the stories in development. Pig's Blood Blue's is a supernatural story set in a borstal. A former policeman named Redman, who starts working there, uncovers a deadly secret and a boy named Lacey is the centre of it. Lacey claims that a missing boy by the name of Henessey is actually there on the grounds of the facility, in the form of a ghost.
DOWN, SATAN
Bloody Disgusting first reported on this Barker adaptation, one of the shortest of the Books of Blood. The story certainly has a lot of scope for expansion and the torture subject could be popular with audiences, fitting with current trends in horror cinema. Bloody Disgusting reported:
"Some interesting news was reported over at IGN this morning as they revealed that their very own DVD Editor, Christopher Monfette, has scripted an adaptation of Clive Barker's short-story Down, Satan!, one of Barker's infamous Books of Blood stories. Monfette talked with IGN a bit about how difficult it was to turn a 4-page story into a feature length screenplay.
"It's not easy," he says. "But we found a way into the narrative that expands upon the ideas without stretching or distorting them. There's drama and horror and suspense and scale and if we've done our jobs, we should have something intensely original."
THE MADONNA
As with Pig's Blood Blues, little is known about The Madonna (from volume 5 of the Books of Blood) other than it is currently being written by producer Jorge Saralegui. In the story a man named Jerry is trying to talk a local shady businessman into financing the redevelopment of an old swimming pool complex. However, the swimming pool has some mysterious inhabitants in the form of nude teenage girls who flee should Jerry or his would-be financial backer encounter them. A swimming pool in the centre is, unlike the other pools in the building, full, and glows with a strange light and appears to be inhabited by some misshapen life-form.
Article compiled by Scarecrow.
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The Scarlet Gospels & The Art 3: Clive Barker on Hell's Beginning and End
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NEWS UPDATE:
The latest issue of genre magazine SFX interviews Clive Barker where he reveals a few more details on not only the Scarlet Gospels but also the Third Book of the Art:
"This is my attempt to bring the legacy to a close and I hope that it is a very eloquent goodbye. I not only lay out how the Cenobites began, I also lay out how it will all finish. So after this book there is nothing more for me to do as far as this mythology is concerned."
Barker then reveals details on the character of Harry D'Amour and how the Scarlet Gospels will relate to the third Art novel.
"Harry comes away from The Scarlet Gospels very much changed. Harry will enter the third book of 'the art' having had this experience in Hell between books two and three."
He finishes with some positive words to the actors who brought the character to life:
"This is my attempt to also honour Doug Bradley and Scott Bakula, who have embodied Pinhead and D'Amour so well on screen. You know, I want to bid a farewell to at least one of them honourably".
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Clive Barker has revealed some more intriguing information about the upcoming novel The Scarlet Gospels, set to feature the death of Hellraiser Lead Cenobite, Pinhead. In a recent interview on his official website, Revelations, Barker answered fans questions on how the novel would relate to the established mythology of the films and comics. He has also passed on the above epigram to Revelations, which he is considering for the opening pages of the novel.
Erik Pflueger asks if there will be any explanation of the nature of Hell and if it will keep to the established mythology of the series:
Barker: "Will there be some explanation? Yes there will be some more, Erik, not a great deal, but some. We've also got, as he points out, some contradictory pieces of history here, we have some created by the Wachowski brothers in The Book of The Damned, some written by Pete Atkins for Bloodline - I'm going to ignore all of that. This book is not about Lemarchand, it's about what happens when Hell puts down its machinery, meaning the little boxes, and takes up its older ways."
"There won't be a lot of back-story about Pinhead but we will be in his head a lot. I will also be revealing his true Cenobitic name, yes, that will be there. I think it is going to be fun - there has never been a Hell like this, I can reasonably say, and it's still revealing things to me, day by day, so that's fun."
Max Lichtor asks how much of Primordium (the Romanesque City State from the Tortured Souls shorts) will be echoed in the Hell of The Scarlet Gospels:
Barker: "How much of Primordium will be echoed in the Hell of Scarlet Gospels? Some of it, yes, in the sense that the city is indeed a proper city. You know, this is not a mediæval vision of Hell that just looks like Hell's Kitchen, you know, with a bunch of people being boiled in oil and thrown in fires. This is a place where fallen angels have attempted to build a society and a culture for themselves. They haven't necessarily been very good at it, but they've tried and Hell is in many ways a reflection of their inability to build because the vision they needed is a Divine vision and they don't really have anyone among them... There were a few exceptions, Lucifer would be one of them but Lucifer doesn't come on the stage until towards the end..."
"When he does show himself we see, oh boy, what Hell probably was at the beginning when the fallen angels decided to try and make Heaven themselves and the only reference to that is a melancholy reference - I wanted to be melancholy about it. I'm a great reader of Hellblazer, you know, the John Constantine comic, and whenever John goes down into Hell it's always fire pits and terrible monsters and so on. But you think, but what do they do the next day..? You know, my characters are down in Hell for two-thirds of the book - I had to get a sense for, how do you live down there? What colour is the sky? I have, in other words, approached Hell much as I would approach a fantasy world, asking the questions that a fantasy writer would ask of his or her world: 'What is the colour of the sky? What is the design of the buildings?' and so forth. There are patches of this huge novel that remind me of Imajica, simply because we're in this very fucking strange place with nothing quite being what it seems, and yes it's violent and yes sometimes it's scary, though it's not a horror novel in the conventional sense of the horror novel, in the sense of it having a Jericho ghastly little jump every few minutes. I have no problem with it being called a horror novel - it should be - but it's an unconventional vision of what a horror novel should be."
The Scarlet Gospels does not have a release date yet but should be expected some time in 2007. The Hellbound Web will continue to keep up to date with the latest developments.
For the full interview visit Revelations.
Article compiled by Scarecrow.
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I think this speaks for itself... |
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